
issue 5
// poetry
Stinking
by Edie Popper
I like my fingers fragrant, stinking:
unclothing garlic by the clove,
slicked with oil, picking olives
from the jar. Thumbing leaves, the basil
mashed into my nails. I like to cook
by hand: claw feta from the block,
measure rice in fistfuls
and the water by a knuckle-depth.
I web my palms with dough
snow flour past my elbows
up to my pulse in yeast.
Lemon rolled beneath my wrist
tendered rind twisted
for its fistfuls of pulpy sun.
I spent all afternoon trying to write
a poem about the ocean’s slowing pulse
and writing nothing at all. Feverish,
the Atlantic circulation. Its unsteady,
thready beat. Words were gristle
in my teeth. For the poem, I studied
the physics of currents, the weather
they brew; how carbon in the air is held
as acid in the sea. How the ocean
is layered by temperature, salinity.
How our briny lung breathes
on upwells, downwells, global swells.
How the acid will prune the kelp,
melt the plankton from their shells
then starve the krill, the bigger fish,
the turtles, eels, orcas, and then all
the deepsea weirdos we hardly knew
exist — the cookiecutter sharks, the
clear-blooded icefish, vampire squids
and the neon-bellied jellies.
Then the humpbacks, singing up and
down the coast. The heat will boast
its flotsam dead. But I couldn’t
make it poetry, so I cooked a stew
instead. Onion in oil, cumin seed.
Spinach, lentils, beans. Spice and rice
like pillow-fluff, or the roughage
of clouds. Drove it over to a friend
who was in bed for the week.
Came home, wrote this.
Tonight I didn’t write
about the sick sea because
we answer grief insisting on life:
determined to feed, deadheading
blooms and giving our plenty
to one another’s tongues
having learned from the rot where
mushrooms lift their hatted heads
from compost, clay, spores sifting
through decay for a dim, damp place
to lay their villages of squidgy roof-
tops, crops of moons. So we live
because of what lived and will live.
So we live because of all of it.
**Author’s note: the line “giving our plenty/to one another’s tongues” is inspired by a story and wisdom shared in Robin Wall Kimmerer’s The Serviceberry.
about the author // Edie Popper

| Edie Popper (they/them) is a critical care nurse and poet living and working on unceded Gadigal, Wangal and Burramattagal Lands. Edie’s work often explores human and planetary justice, earth as our kin, queerness, relationships, illness, memory and history. Their poetry has been shortlisted for the Robert Gray Poetry Prize, and published in Australian Poetry Journal, Jacaranda Journal, Meniscus Journal, Marrow Poetry, and Baby Teeth Arts. They have performed poetry on community radio and at the Sydney Opera House. |
Instagram: @ediepopper