special issue 1

// p o e t r y

Grandmothers
by Shannon Marzella

Once, I was a guest at a séance 

or, I was a guest

in someone else’s dream. Unclear. There was a table

and a candle on a brass throne melting wax

into ivory rivers. Nothing in this room

was made of glass, therefore

nothing in this room was easily

broken. Every word became an echo

of the one before. Every word became

a mother, their bodies

cupping each other like Russian dolls, faces

both known and unknown, shadowed like bats’

eyes peering through translucent wings. I wanted to touch

their cheeks, some sallow and creased

with navigable lines, others scarred like peeling tree

bark. One was alabaster white and

eyeless, one could only squint as if it were all

too much. Another lay in a childbirth

bed, blood running in thirsty rivers,

her arms spread like wings, her voice

a whisper: was her daughter

playing in the forest, had she found

the wolf in the center of everything? One knelt

before me as if I were the God she had been praying

for, clasped my hands while another

language spilled from her split tongue–

all I could hear was a hiss.

I wanted to press

each of their faces against my own,

scream into their open mouths:

where have you been hiding and

can you take me with you?

about the author // Shannon Marzella

Shannon Marzella (she/her) holds an MFA in Poetry from Western Connecticut State University. Her young adult novel, Girl in Shadows, was published by Nymeria Publishing in 2021, and her poetry has been published in several journals including Sky Island Journal, Stonecoast Review, Ghost City Review, White Stag Publishing’s Spirit anthology, Coffin Bell, and Mulberry Literary. Her first poetry collection, The Uterus is an Impossible Forest, is forthcoming from Raw Dog Screaming Press in August 2025. You can connect with her on Instagram @shannon_marzella_writer.

Instagram: @shannon_marzella_writer