issue 6

// poetry

When I Text My Mother Gun
by Joshua Lillie

my phone corrects the n to an m, as in: 
“Is my Nintendo in the attic or in the basement
with grandpa’s gums?”

I google murder, Tennessee and I’m redirected
to an AI overview bullet-pointing what not to do
beneath my breath.

Suicide swipes a breeze but, pluralized, the outcome
changes to divides, as in: “among survivors of suicide,
nearly all reported regret the moment
they awoke. Worldwide there are roughly 800,000 divides
per year.”

Mass shootings become mass shoutings:
“There have been more mass shoutings this year
than calendar days so far.”

Abortion becomes abolition: “Scars from clothes-hangers
heal like claw marks on the scalps of children who escaped
back-alley abolitions.”

Last year’s documentary on melting ice caps is eclipsed
by the one on this year’s flooding, so I’ll skip
the winter premieres and wait for new summer tides
to reach my door. I’ll refresh the doppler radar
and hope the cyclone spares my cow.

The cracks in the guest rooms of my heart heal quicker
each time I memorize the names of schools
and churches and small towns gummed down and gutted
by one more mass-mutterer draped in echoes and bright

red flags. The weather calls for shelter
behind barricades so solid no amount of cheesecake
could distract us from this wind. My mother marks

herself safe and chalks another prayer up
to relief. She says she recalls exactly when
the urge to teach me fell behind
the walls she built to keep me shielded, like it was
today or yesterday.

about the author // Joshua Lillie

Joshua Lillie is a bartender and musician in Tucson, Arizona. He is the author of the chapbook Small Talk Symphony (Finishing Line Press, 2025). He was a finalist for the Jack McCarthy Book Prize Contest from Write Bloody Publishing in 2024, and a Best of the Net nominee in 2026.

Instagram: @joshaaronlillie