
issue 6
// poetry
On the Precipice in This Perilous Moment: A Triptych
by Nancy Flynn
When the moral sense of a nation begins to decline
and the wheel of progress to roll backward, there is no telling
how low the one will fall or where the other may stop.
—Frederick Douglass
I. Bitter Root
dateline June 2025
I don’t know about you. For now?
My day-by-day remains unsettlingly
at ease, even those nights when I’m un-
able to catch my breath, at a loss to take
it all in, let alone tally the exhaustive list
of wrongs undertaken, their wrongs yet
waiting to be wrought. I can still hide
in my envelope of green, rallied to life
by the thriving of a hot pink Lewisia rediviva,
the thrum of wild bees circling their knot
in the maple, a whiff as the jasmine asserts
its vining dominance over the alley fence.
We are living both drought and deluge
but the history of our landscape is not
on the side of relent or regret. For there is
bitterness at the root, maybe even a poison
we seem unwilling to extirpate, a bloodlust
we are powerless to shake. And so it continues
to grip while we wait and wait and wait,
doubtful their munitions will miraculously
fail, and spare all the innocent heads.
II. Make Room for Wonder
a found poem culled from “On Learning to Dissect Fetal Pigs,” by Renée Nicole Macklin,
winner of the 2020 Academy of American Poets Prize,
who was murdered by ICE agent, Jonathan Ross,
in Minneapolis, Minnesota on January 7, 2026
Remember salt and ink,
high-gloss pictures plucked
splintering and hard-edged. My palms
under the Bible, Bhagavad Gita, and Qur’an.
The dumbed-down, easy-to-read
tercets in pentameter at the corner of
rocking sunsets and coastal sounds.
Clippings of the moon to study and repeat.
What dies there,
how often and how well—
fickle faith and heckles
exhaling from the mouths?
All my understanding is summarized
as the ruler by which I reduce all things.
Now life is merely scribbled
from knowledge,
from the piddly brook of my soul.
Make room for wonder.
III. An End Must Be Put to All of This
First they fascinate the fools, then they muzzle the intelligent.
—Bertrand Russell (on the start of fascism)
Somewhere in Oregon, I am lost
again. In a country where they want
to throw us all back, there are days
when I am unable to navigate, to exist
forever in spin. Last week, they shot
a prize-winning poet, four bullets aimed
at her goddamn face. What had been
previously desired was (merely) this:
to study the clouds in their formation
above the nature patch at Alberta Park,
parading away from the sky after
the Japanese maple lifted its fire-
red branches in defiance of an early
morning fog. Can such (fleeting) instants
offer a stay, a strategy to counter the end-
lessness of vex—coronations, gilt, tracery
of cursive, typos, errors in capitalization,
the ahistorical plaques, frippery plus phony
smiles, debasement of the simple
thumbs up, a firehose of (neverending)
untruth, mangled syntax, masked men
with armaments, the bulldozers, rattling
sabers, and AI architectural slop that forgets
to add a door, levitates a stairway into thin air?
On the table, there is whimsy—a wind-up,
backwards somersaulting frog. The alebrijes
cat on the sill struts its parenthesis
tail, luminous in the afternoon light.
Welcome to the hell of our own making,
where we’ve grown numb, where we
wail into a void. No one is coming
to save us. Put an end to all of this.
about the author // Nancy Flynn

| Nancy Flynn grew up on the Susquehanna River in northeastern Pennsylvania coal country, spent many years on a downtown creek in Ithaca, New York, and now lives near the mighty Columbia in Portland, Oregon where she grows a field of dahlias in her front yard. She attended Oberlin College, Cornell University, and has an M.A. in English from SUNY/Binghamton. Recent poems have appeared in Fence, Halfway Down the Stairs, kerning, and the IHRAM anthology, America’s Slide Toward Authoritarianism. |
Website: http://www.nancyflynn.com