
special issue 1
// p o e t r y
Object Permanence
by Erin O’Regan White
My son and I have a running joke — human life
is a simulation and the fog that shrouds
our hill hides a master developer. It runs an update,
re-renders textures, tweaks features,
adds new quests. Does not fix bugs.
This morning, the fog seems alive,
a brumous body that slips between lampposts
and warps the wide street toward mystery.
What we knew is shaped into questions.
Does the driveway end
where we remember an ending? Will we
find the bus stop beyond the curb? We imagine
the thrill — a step from foggy sidewalk that lands
in candy colors, speaking trees, a Dalí-drawn
reality. Anyway
we play this game, my kid and I.
Beneath our play is longing, a wish
to shape a new reality into being or
at least answer some questions —
the big burners, the ones that creep
into night-dark minds, that drip
into the crags and pits of stone-cold fact.
Our play is a bond, a distraction
from the wound we share — the one
that’s settled, the one we don’t discuss,
the one that murks about like mist and splits
old truth from new.
about the author // Erin O’Regan White

| Erin O’Regan White (she/her) is a writer and printmaker from Missoula, Montana. Her writing appears in Ragaire Literary Magazine and Deep Wild Journal, amongst others, and is forthcoming in A Literary Field Guide to the Rocky Mountains. Her nonfiction has received a Pushcart Prize nomination and a 2021 Best American Essays notable mention. A selection of her poems won the 2024 Merriam-Frontier Award. Erin holds an MFA in poetry from the University of Montana, where she was editor-in-chief of CutBank. Ever at the mercy of a 1935 Hacker Test Press, she turns writing and visual art into broadsides with her tinkerer comrades at Bear Scratch Press. |
Instagram: @wildmontanaflowers
Substack: @erinoreganwhite